1985–1996: Invisible Touch, We Can't Dance, and Collins's departure

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Posted on Wed, 02/18/2015 - 8:05am
by Angie Spray

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Genesis's highest-selling album, Invisible Touch, was released in 1986, at the height of Collins's popularity as a solo artist. The album yielded five US Top 5 singles: "Throwing It All Away", "In Too Deep", "Tonight, Tonight, Tonight", "Land of Confusion" and "Invisible Touch". The title track reached No. 1 in the United States, the only Genesis song to do so; however, it stalled at No. 15 in the UK. In September 1986, Genesis performed "Throwing It All Away" at the 1986 MTV Video Music Awards in Los Angeles. On the last leg of the Invisible Touch Tour in July 1987, Genesis became the first band to play four sold out consecutive nights at Wembley Stadium, London. Genesis was the first band to use Vari*Lite technology, and the Prism sound system, all of which are now standard features of arena rock concerts.

Earlier that year, Collins viewed a spoof of himself on Spitting Image, a satirical British television show which used puppets to lampoon politicians and celebrities. He was impressed with the representation, and commissioned the show's creators, Peter Fluck and Roger Law, to work on the video for the "Land of Confusion" single. The video was formed as an ironic commentary on the Cold War, and played on the perception that the coalition's leaders were "trigger happy" with the nuclear "button". In addition to puppet representations of Banks, Collins and Rutherford, the video showed Ronald Reagan dressed as Superman. At the 1987 MTV Video Music Awards it was nominated for the MTV Video of the Year, losing to Gabriel's "Sledgehammer". At the 1988 Grammy Awards it won the award for Best Concept Music Video.

"Tonight, Tonight, Tonight" was used in a Michelob commercial—as was Collins's "In the Air Tonight"—while "In Too Deep" was featured in the film Mona Lisa. The instrumental "The Brazilian" appeared in the animated movie When the Wind Blows, alongside a score written by Roger Waters. "The Brazilian" also appeared on Magnum P.I. in its entirety in the episode Unfinished Business. At the 1988 Prince's Trust concert held in the Royal Albert Hall, London, Collins and Gabriel performed together for the first time since 1982. Collins was drummer for the house band, while Gabriel performed his hit single "Sledgehammer". As of September 2007, the two Genesis frontmen have not publicly played together since, although they did play together at Gabriel's wedding in 2002.

In 1990, Hackett and Rutherford participated in a charity called Rock Against Repatriation that included other musicians such as Marillion, Fish, Howard Jones, Paul Carrack, Bonnie Tyler and many others in a remake of Rod Steward's "Sailing"

After a hiatus of five years, Genesis reconvened for the 1991 album release We Can't Dance, Collins' last studio album with the group. The album features the hit singles "Jesus He Knows Me", "I Can't Dance", "No Son of Mine", "Hold on My Heart", "Tell Me Why" and "Never a Time" (a US release only), as well as lengthy pieces such as "Driving the Last Spike" and "Fading Lights". The album, which was produced by Nick Davis who had previously produced Marillion, includes "Since I Lost You", which Collins wrote in memory of Eric Clapton's son Conor. In 1993 it was nominated for the Brit Award for Best British Album. At the 1993 American Music Awards on 25 January, Genesis won the award for Favorite Pop/Rock Band, Duo, or Group.

Collins left the band in March 1996. He reasoned that he "felt it time to change direction in my musical life. For me now, it will be music for movies, some jazz projects, and of course my solo career. I wish the guys in Genesis all the very best in their future. We remain the best of friends."

 

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Genesis (band) - Wikipedia, the free encyclopedia : taken from - http://en.wikipedia.org/wiki/Genesis_(band) http://creativecommons.org/licenses/by-sa/3.0/